Results for African-American History

Baseball’s Forgotten Experiment

October 13, 2013
Steven Cromack

Contrary to popular belief, Jackie Robinson was not the first black man to play major league baseball. That title belongs to Moses Fleetwood Walker, who lived and played nearly eighty years before
Robinson. Walker’s story is fascinating not only because of his baseball stardom, but also because an all white jury acquitted him of first-degree murder in 1891.

Historians do not know much about his early years. Moses Fleetwood Walker was born in Ohio. A minister’s son, he entered Oberlin College and planned to become a lawyer. While at school, however, it became clear that his passion lay elsewhere. Instead of going to class, Walker played baseball, and in 1883 he landed a spot in the minor leagues as a catcher with newly formed Toledo Blue Stockings. As a player, he impressed the press and the fans. Sporting Life, the nation’s largest sport publication at the time, wrote on September 15, 1883: “Walker, the colored catcher of the Toledos, is a favorite wherever he goes. He does brilliant work in a modest, unassuming way.” In 1884 Toledo joined the major competitor to the National League, the American Association. As a result, Walker earned his title as the first black player in the major leagues.

Unfortunately for Walker, tension between his teammates, unrelenting jeers from fans, and an injury led to his release. He bounced around the minors for a while, eventually ending his career in Syracuse. In 1891, upon leaving a bar in that city one afternoon, Walker encountered a group of white men, one of whom threw a rock at him, while the rest surrounded him. In a panic, Walker stabbed the closest man. He was indicted for first-degree murder. Amazingly, the all white jury found him not guilty.

Walker spent the rest of his life writing a treatise advocating the return of black Americans to Africa. He died of pneumonia in 1924 and until 1996 lay in an unmarked grave. America was not ready for Walker. C. Vann Woodward wrote in his Strange Career of Jim Crow that America in the 1880s was: "The twilight zone that lies between living memory and written history . . . . It was a time of experiment, testing, and uncertainty—quite different from the time of repression and rigid uniformity that was to come toward the end of the century. Alternatives were still open and real choices had to be made."

Instead of embracing integration, baseball’s managers drew the color line and Walker was forgotten. It was not until the 1980s when historians uncovered Walker’s story. For further reading, see David Zang’s Fleet Walker’s Divided Heart: The Life of Baseball’s First Black Major Leaguer.

Baseball’s Forgotten Experiment Baseball’s Forgotten Experiment Reviewed by Joseph Landis on October 13, 2013 Rating: 5

A Divided Kentucky

October 06, 2013
Aaron Astor

In 1926 historian E. Merton Coulter described Kentucky during the Civil War as a “crouching lion, stretched east and west . . . the thoroughfare of the continent.” Kentucky served as more than the geographic fulcrum of the Union between slave and free states. It also represented the political heart of the Union, its politicians, most notably Henry Clay, having offered Union-saving compromise measures since 1820. It had long embraced conservative Unionism, a political tradition that understood “conservative” both as a social orientation (allowing for only gradual change to the institution of slavery) and a political relationship (with the Union buttressing the social order).

Militarily, Kentucky was absolutely critical to the Federal war effort, as the Ohio River would have become an international boundary if Kentucky had joined the Confederacy. Further, tens of thousands of Indianans, Illinoisans, and Ohioans traced their roots to Kentucky, including President Lincoln himself. Capturing the delicate but essential position of his native state, Lincoln commented that to “lose Kentucky is nearly the same as to lose the whole game.” After Fort Sumter, Kentuckians hoped to stay out of the war altogether, declaring the state “neutral” and pledging support for neither belligerent. But when Confederate General Leonidas Polk invaded the southwestern tip of the state in the beginning of September 1861, the legislature immediately declared its support for the Union.

What followed was a troubled partnership between a conservative, pro-slavery Unionist coalition within Kentucky and a Federal political and military engine steadily moving toward emancipation as a central war aim. The Emancipation Proclamation did not apply in Kentucky (since it was not in rebellion), and military officials made special efforts not to alienate the state’s civilian leadership. The breaking point came with black soldier enlistment in 1864, when 57% of black male Kentuckians of military age entered the Union army—the highest percentage, by far, of any slave state. The result was a dual rebellion in Kentucky: white Confederates rejected the “Union” part of conservative Unionism, and the slave population rejected the “conservative” part. By the end of 1865, eight months after Appomattox, Kentucky was the last state (along with Delaware) to maintain slavery, requiring the Thirteenth Amendment to bring the institution to an end. Legions of former conservative Unionists welcomed their ex-Confederate foes back to the state with open arms. And the state quickly developed a belated Confederate identity that would provide a rubric of resistance against Radical Reconstruction.

To understand how Kentucky’s slaves converted a pro-slavery Union that many of their masters supported into an anti-slavery republic, we must consider slave attitudes before 1861. Kentucky slaves who rebelled against the old social order drew upon decades of resistance against a small-scale but tenacious slave system. Networks of fugitive slaves, repeated insurrectionary threats, defiant acts in defense of the slave community and family, and everyday forms of resistance made for a slave population that was politically aware of the stakes of civil war in 1861. Slave actions exacerbated tensions within the Ohio Valley, especially in neighboring free states where the Fugitive Slave Act was never popular. Alas, divisions between anti-slavery Midwesterners and pro-slavery Kentuckians—and between pro-slavery Kentuckians over the best means to support the slave-based social order—led to a complicated form of border state warfare by late 1861. Slaves understood that divisions within the master class created an opportunity for freedom, and they positioned themselves to exploit the opening brought by civil war.

This post draws from Aaron Astor, “The Crouching Lion's Fate: Slave Politics and Conservative Unionism in Kentucky,” Register of the Kentucky Historical Society 110 (2012): 293-326, which won the 2013 Richard H. Collins Prize from the Kentucky Historical Society.

A Divided Kentucky A Divided Kentucky Reviewed by Joseph Landis on October 06, 2013 Rating: 5

Recognition For William Mahone

September 22, 2013
Kevin M. Levin*

[Crossposted from the Civil War Memory blog]

Last week's post on the Civil War Memory blog about the unveiling of three plaques honoringVirginia’s post-Civil War black politicians has me thinking about my old buddy, William Mahone. While Mahone is best remembered as the “Hero of the Crater” his role in launching and leading the state’s most successful third-party political movement has largely been forgotten. In Virginia it was intentionally ignored because what came to be known as the Readjuster Party (1879-83) was bi-racial. The arc from Mahone’s role in preventing a Union breakthrough outside Petersburg that left scores of black Union soldiers massacred on the Crater battlefield to creating an opportunity for the largest number of black Virginians to vote, go to school and serve in positions of local and state government just a few short years later could not be more striking. Could anyone in 1865 anticipate that it would be a former Confederate general who would bring Reconstruction to Virginia?

Is it time to recognize William Mahone publicly in some shape or form? I say yes, if for no other reason than it would help to bring into sharper focus a piece of Virginia’s history that places yesterday’s dedication in its proper context. In other words, post-Civil War Virginia makes absolutely no sense without a reference to Mahone and the Readjuster Party.  It matters, not simply because it’s part of Virginia’s history, but because it has something important to teach us as well. The period following the official years of Reconstruction (1865-1877) did not inevitably lead to Jim Crow. Interracial cooperation was not only possible in the South between 1877 and the turn of the twentieth century but a reality for a few short years in Virginia. Virginia’s Reconstruction was not forced on it by “carpetbaggers” and “scalawags” but by legitimate stakeholders, who believed that a brighter future could be forged for both races. Finally, there is something juicy about all of this being introduced by a former Confederate general.

But let’s not get ahead of ourselves. Admittedly, Mahone is not the most likeable person. In fact, in all the years that I researched the man I never caught more than a fleeting glimpse of any emotional life beyond that facial here. (BTW, I still can't picture the man laughing.) We like to be able to empathize with those historical figures we recognize and commemorate. More to the point, I still don’t fully understand why Mahone decided to forge a bi-racial coalition. Was he motivated by lingering bitterness over his railroad going into receivership in the early 1870s – a turn of events that Mahone blamed on Virginia’s Conservative elements. Was Mahone simply thirsty for political power and understood that interracial cooperation offered the best chance of success? Finally, to what extent was he genuinely interested in advancing the cause of the state’s black population? I don’t know, but I suspect that it’s a combination of all three as well as other factors. Mahone was a complicated guy and his motives were not likely pure, but than again, who among our most beloved public servants could make such a claim.

I don’t know what a proper commemoration of Mahone might look like. The city of Petersburg owns Mahone’s postwar home, which now serves as a library and was interestingly enough the scene of a civil rights protest that led to its integration in the 1960s. His boyhood home in Southampton County is owned by the Sons of Confederate Veterans. Perhaps some kind of plaque could be unveiled on the capital grounds in Richmond. The form it takes doesn’t really concern me much.

What matters to me is the act of once again taking ownership of a small piece of history that we no longer have a reason to ignore.

Kevin M. Levin is an Instructor of American history at Gann Academy near Boston. He is the author of Remembering the Battle of the Crater: War as Murder (2012) and is currently writing a book on the history of Confederate camp servants and the myth of the black Confederate soldier. Levin’s essays have appeared online in The New York Times and the Atlantic as well as popular magazines and academic journals. Levin has been blogging at Civil War Memory since November 2005.
Recognition For William Mahone Recognition For William Mahone Reviewed by Joseph Landis on September 22, 2013 Rating: 5

CFP: “Soundscapes: Music from the African Atlantic, 1600-present,” March 7-9, 2014

August 15, 2013

The Carolina Lowcountry and Atlantic World Program (CLAW) at the College of Charleston in Charleston, South Carolina invites paper proposals addressing the transnational and transcultural impacts of music throughout the Atlantic World for a conference to be held
March 7-9, 2014.  We are especially interested in twentieth and twenty-first century music and cultural exchange, but the conference is open to any work that examines the movement of music in the Atlantic World from the 1600s to the present. We welcome a broad range of submissions, but especially encourage submissions that utilize an interdisciplinary approach.  Proposals may address any area of music in the Atlantic World. We invite scholars to submit proposals for individual papers and panels that address such questions as:

* Tradition and modernity in popular and indigenous music in Latin America, the Caribbean and West Africa
* Music, Race, and Empire
* Jazz in a global context
* Trans-Caribbean identities in Salsa, Reggae, and Calypso music
* Pan-African Rhythms
* Caribbean beats and protest music in the 1970s
* The British Invasion and Rhythm and Blues in the United Kingdom
* Hip Hop and political activism in Africa and the Caribbean
* Race and Beach Music on the American Atlantic Coast
* Musical culture and diaspora studies


Proposals Due:  Friday, December 6, 2013

All Presenters will be notified if their paper or panel has been accepted by December 22, 2013.  Presenters and participants are expected to register for the conference by February 7th, 2014.  Registration will open in October 2013.

As with previous successful CLAW program events the conference will be run in a seminar style: accepted participants will be expected to send completed papers to the organizers in advance of the conference itself (by February 28th, 2014) for circulation via password-protected site. At the conference itself presenters will talk for no more than ten minutes about their paper, working on the assumption that everyone has read the paper itself. This arrangement means that papers may be considerably lengthier and more carefully argued than the typical 20-minute presentation; and it leads to more substantive, better-informed discussion. It also generally allows us to move quite smoothly toward publication of a selection of essays with the University of South Carolina Press.

Proposals for individual papers should be 200 words, and should be accompanied by a brief one-page biographical statement indicating institutional affiliation, research interests, and relevant publishing record for each participant, including chairs and commentators. Please place the panel proposal, and its accompanying paper proposals and vitas in one file. Please submit your proposal electronically with CLAW conference in the subject line to the conference chair, Dr. John White at WhiteJ@cofc.edu by December 6, 2013.

If you wish to send a proposal for a 3 or 4 person panel, please send a 300 to 500 word proposal describing the panel as a whole as well as proposals for each of the individual papers, along with biographical statements for each of the presenters. The organizers reserve the right to accept individual papers from panel proposals, to break up panels, and to add papers to panels. Notification of acceptance will be sent by December 22nd, 2013.
CFP: “Soundscapes: Music from the African Atlantic, 1600-present,” March 7-9, 2014 CFP: “Soundscapes: Music from the African Atlantic, 1600-present,” March 7-9, 2014 Reviewed by Joseph Landis on August 15, 2013 Rating: 5

History and the Voting Rights Act Roundup

July 25, 2013

NPR Staff, "The Voting Rights Act: Hard-Won Gains, An Uncertain Future," NPR, July 21, 2013

. . . . Congress also noted, however, that the Voting Rights Act was still needed, and it had
Fort Scott, Kansas, Tribune, August 6, 1965, p. 1
From the Google News Archive.
been used hundreds of times since 1982 to protect against discrimination.

But in his opinion, Chief Justice John Roberts suggested it is a new era. "Our country has changed," he wrote for the majority.

But Rep. Lewis says race is still very much at the forefront.

"I think there has been a deliberate and systematic effort on the part of certain forces in our country to take the whole idea of race out of public policy," he says. "Race is involved in everything that makes up America, and we cannot escape it. We have to deal with it face on.">>>

John Paul Stevens, "The Court & the Right to Vote: A Dissent," New York Review of Books, August 15, 2013

In Bending Toward Justice, Professor Gary May describes a number of the conflicts between white supremacists in Alabama and nonviolent civil rights workers that led to the enactment of the Voting Rights Act of 1965—often just called the VRA. The book also describes political developments that influenced President Lyndon Johnson to support the act in 1965, and later events that supported the congressional reenactments of the VRA signed by President Richard Nixon in 1970, by President Gerald Ford in 1975, by President Ronald Reagan in 1982, and by President George W. Bush in 2006.>>>

"The Future of the Voting Rights Act," On Point, WBUR, June 27, 2013

The Voting Rights Act was the monumental achievement of the civil rights movement, a powerful federal response to racist policies like poll taxes and literacy tests that kept blacks home on Election Day. But that was 1965.

Today southern blacks vote at even higher rates than whites. So this week the Supreme Court struck down the heart of the law, freeing mostly southern states to change their election laws without federal approval. Guests: Vernon Burton, Kareem Crayton, and Ronald Keith Gaddie.>>>

John Fund, "A Civil-Rights Victory," National Review, June 25, 2013

The Supreme Court’s decision today to overturn a small part of the 1965 Voting Rights Act is actually a victory for civil rights.  As the court noted, what made sense both in moral and practical terms almost a half century ago has to be approached anew. . . . Clint Bolick, director of litigation for the conservative Goldwater Institute in Arizona, says the demise of Section 5 of the Voting Rights Act will also reduce the balkanization of racial gerrymandering that has become so popular lately. “Voting districts drawn on racial or ethnic lines divide Americans,” he says. “This decision helps move us toward the day in which racial gerrymandering becomes a relic of the past.”>>>

"New obstacles for voters," Baltimore Sun, July 22, 2013

If there were any doubt the Supreme Court erred badly in the term just ended by striking down a key provision of the Voting Rights Act designed to protect minorities' access to the polls in states with a history of voter discrimination, it's been dispelled by the swift reaction in states formerly covered by the law's pre-clearance requirement. Officials there have lost no time in using the ruling as a license to start discriminating again.

Barely two hours after the court declared unconstitutional Section 4 of the act, which determined which states were required to get Justice Department approval before changing election laws in ways that disproportionately affected minority voters, Texas' attorney general announced that a 2011 voter-ID law a lower court had blocked as discriminatory would go into effect "immediately." Over the next week, four more former pre-clearance states moved to tighten restrictions on voting.>>>
History and the Voting Rights Act Roundup History and the Voting Rights Act Roundup Reviewed by Joseph Landis on July 25, 2013 Rating: 5

Diaspora: A Useful Idea

July 21, 2013
Kevin Kenny*

The word “diaspora” is remarkably popular. But what does it mean? 


The New Shorter Oxford English Dictionary defines diaspora as “The dispersion of Jews among the Gentile nations,” giving as a secondary definition “all those Jews who lived

outside the biblical land of Israel.”
A Harlem "Back to Africa" announcement,
Negro Club, New York (1929). Courtesy of
the New York Public Library.
By this definition, diaspora is both a process (the scattering of Jewish populations) and a thing (their communities abroad). This double meaning is the source of much confusion.

Until recently, diaspora referred almost exclusively to Jewish history. In the 19th and 20th centuries, many other groups—including people of African, Armenian, and Irish descent—adopted the term and molded it to their own purposes. As its illustrative example, the OED cites “[t]he famine, the diaspora and the long hatred of Irish Americans for Britain.” Today, diaspora is applied to virtually every group that moves from one place to another.

The key period of expansion in the usage of diaspora was the half-century after World War II. The reasons are not hard to find. During the era of decolonization, globally scattered populations of African origin forged new transnational bonds of solidarity. Migrant and ethnic communities of Asian origin (e.g., ethnic Chinese in Indonesia and Vietnam or South Asians in East Africa) were expelled from their adopted countries. Global migration assumed a massive new scale. And the international recognition of refugees brought new attention to involuntary migration in particular.


With the proliferation of usage, inevitably, came a decline in coherence. Diaspora is now virtually a synonym for “migration” and “ethnic group”—two related but distinct terms that duplicate the basic bifurcation in the dictionary definition. And because diaspora is now used so broadly, it has lost its analytical bite.

Over the last generation, sociologists and political scientists have responded to this conceptual confusion by constructing elaborate typologies concerning the origins, scale, nature, and character of diasporas. Their goal is clarify, once and for all, which kinds of migration and ethnic group count as diasporic, and which do not.

But typologies have some obvious drawbacks.They can be arbitrary: Who gets to decide on the criteria? Conversely, they can be over-inclusive, with all forms of population movement lumped together under the ecumenical umbrella of diaspora. Between the two extremes lies the checklist approach: Tick off seven out of ten requirements and your group qualifies as diasporic. But if these requirements belong to different orders of experience—some concerning the process of migration and others the lives of migrants abroad—comparison between diasporas becomes impossible. The result is incoherence.

In the end, trying to pin the term diaspora down under a single, fixed definition is futile. Yet leaving its meaning entirely open-ended drains the term of analytical value. Is there a way out of this dilemma?

For historians, the solution is to reframe the question. Instead of seeking a definitive answer to the timeless and static question “What is a diaspora?” we can examine evidence to determine how and why people use the idea in specific times and places.

Approached in this way, diaspora is neither a process nor a thing, but an idea that people use to make sense of the world created by migration. But what kinds of people? Scholars like us? Policy makers and governments? Or migrants in their everyday lives? In other words, is diaspora a category of analysis or a category of practice? The answer is that it is both.

Diaspora is not simply a construct that scholars use to analyze the social, cultural, or political world. It is also an idea that migrants use to make sense of their everyday experience and that governments deploy for political and economic purposes.

As an idea, diaspora has three overlapping elements that vary in relevance depending on the historical circumstances. These can be labeled as follows: relocation, connection, and return. It should be added that people do not necessarily need to use the word “diaspora” to think about migration issues within this framework.

The first element is relocation. If diaspora meant the same thing as migration, both words would not be necessary. The idea of diaspora allows us to distinguish between migration in general and particular forms of migration. Diaspora has its greatest explanatory power when applied to involuntary migration—involving, for example, slavery, famine, or genocide.

The second element is connection. When the members of a migrant community in a given country of settlement involve themselves in the affairs of their homeland, they may or may not begin to see themselves as a diaspora. This form of interaction, after all, is commonplace. But when the connections in question involve not only the homeland, but also a web of globally scattered communities, they assume a multipolar rather than a unilinear form. The interrelated communities can then be seen as nodes within a diasporic network or web.

The third and final element of diaspora is return. Every conception of diaspora features a homeland, whether real or imagined. Return to this homeland can be literal, as in the Zionist movement, but it is more often metaphorical or spiritual. The great majority of African-descended people in the Americas, for example, could never hope to move literally to Africa. But this very fact helps explains the cultural and political potency of their desire to do so.

Relocation, connection, return: These are the three elementary aspects that make up the idea of diaspora. Together they constitute a powerful framework for thinking about migration.

Kevin Kenny is Professor History at Boston College. He is author of Diaspora: A Very Short Introduction (New York: Oxford University Press, 2013).
Diaspora: A Useful Idea Diaspora: A Useful Idea Reviewed by Joseph Landis on July 21, 2013 Rating: 5

The Greatest Migration of All

May 14, 2013
Eric B. Schultz

Ask an American historian to define the Great Migration and you’ll hear one of several answers.  Most will describe the movement of 6 million African Americans from the rural South who headed north and west, from
A Jack Delano photo of migrants
heading north from Florida, 1940.
World War I through 1970, seeking economic opportunity and relief from Jim Crow laws. This is the story so beautifully told in Isabel Wilkerson’s Pulitzer Prize-winning book, The Warmth of Other Suns.

There’s another group of historians who might describe the Great Migration as the 20,000 English men, women, and children who crossed the Atlantic between 1620 and 1640, seeking opportunity and relief in New England. These are the Mayflower names, the families that delight and provide such rich insights for genealogists.  Since 1988 the New England Historic Genealogical Society has sponsored the Great Migration Study Project, scheduled for completion in 2016.

In his monumental What Hath God Wrought: The Transformation of America, 1815-1848 Daniel Walker Howe describes “one of the greatest migrations in America,” when Andrew Jackson encouraged white squatters from the Carolinas, Georgia, and Tennessee to move onto 14 million acres expropriated from the Creeks. By 1819 this flood of humanity had established Mississippi and Alabama. “The Alabama fever rages here with great violence,” one North Carolina farmer moaned, “and has carried off vast numbers of our citizens.” Never, Howe remarks, had so large a territory been settled so rapidly—though the peopling of the Old Northwest Territory was not far behind.

Still, there has been another kind of Great Migration in America, less dramatic, but in some ways the steadiest and perhaps most influential. It also has great bearing upon one of today’s hottest political issues, immigration policy, and helps explain why Silicon Valley is so vested in the bill currently making its way through Congress.

"The Puritan Migration to America, 1620-1640."
From Bedford/St. Martin's MapCentral.
Brooke Hindle (1918-2001) was the historian emeritus at the Smithsonian’s National Museum of American History when he, along with (current) Brown University’s Steven Lubar, authored Engines of Change: The American Industrial Revolution 1790-1860. It’s a beautiful book that emphasizes the material aspects of innovation (later reinforced in Hindle’s excellent Emulation and Innovation). It also answers in a very simple way a very profound question: How did a nation of farmers stage their own Industrial Revolution and by 1851 stun the world with their technological prowess at London’s Crystal Palace Exhibition?

One answer, of course, is theft and industrial espionage. If good ideas can be stolen and copied, from Samuel Slater’s work in duplicating an Arkwright-type spinning factory at Pawtucket, to Francis Cabot Lowell’s study of English power looms, then revolution is possible. Indeed, even Eli Whitney—who all good Americans know invented the cotton gin—relied upon a millennium of global cotton gin technology (and not very well, Angela Lakwete’s Inventing the Cotton Gin tells us). One wonders if the talk in 19th-century Parliament about Americans wasn’t roughly akin to that of today’s U.S government and its recent indictment of China’s military for stealing industrial technology.

A second answer is that Jefferson’s virtuous farmer also just happened to be conversant with machines of all kinds; a healthy farm required that cams, ratchets, escapements, pistons, and even (or especially!) whiskey stills be in good working order. Lubar and Hindle quote one New Jersey farmer-tavern keeper, who told an astounded visitor not long after the Revolution, “I am a mover, a shoemaker, furrier, wheelwright, farmer, gardener, and when it can’t be helped, a soldier. I make my bread, brew my beer, kill my pigs; I grind my axes and knives; I built those stalls and that shed there; I am barber, leech, and doctor.” 

Finally—and here’s the Great Migration aspect—America (with a few notable decades excepted) has long been a welcome destination for skilled artisans. Dutch and Polish glassworkers, Italian silk reelers, and German sawyers arrived in Jamestown, the authors tell us, at the invitation of the Virginia Company. England, itself a destination for German miners, Flemish weavers, and French glassworkers and horologists, in turn transferred those technologies to America as skilled artisans crossed the Atlantic.

As early as 1754, Bethlehem, Pennsylvania, had a pumped and piped water supply courtesy of Moravian Germans. The famous Pennsylvania rifle and Conestoga wagon evolved from German prototypes. The sawmill, so important to America’s growth, was brought by artisans from Hamburg. England passed along navigational and mathematical instruments, clockmaking, gunnery, and coal-fuel industries. In the 1830s and 1840s when the steam engine pushed the geographic center of industry from New England to Pennsylvania, it was English, Scottish, Welsh, and Cornish miners and ironworkers who brought their skills to bear. “The leading cities—Philadelphia, Boston, and New York—received a continuing stream of artisans,” Hindle and Lubar write, “most of them from London, quickly making available the skills and newer developments of the British metropolis.”
Occupational portrait of a skilled worker,
ca. 1850. Courtesy of the Library of Congress.

There seems more than a casual relationship between the fact that, from 1824 to 1831, more than 1,000 Englishmen classifying themselves as “machinists” immigrated to the United States, and by 1860 American machinists were among the best in the world.

Like a modern CEO warning his engineers that they will surely fail if they adopt a “not invented here” mentality, George Washington told his countryman in his first address to Congress that “the introduction of new and useful inventions from abroad” could be as valuable as those created by the “skill and genius” of Americans. Those kinds of “foreign entanglements” were ones that the Commander in Chief appeared to welcome.

While Hindle and Lubar focus on cutting edge technology, we also know that sometimes the sort of “artisan talent” that migrated to America came in the form of incredible persistence and sheer ambition. In The Maritime History of Massachusetts, Samuel Eliot Morison tells us that conditions on whaling vessels became so abysmal that American citizens refused to serve; this left opportunity for “Kanakas, Tongatabooras, Filipinos, and even Fiji cannibals like Melville’s hero Queequeg” to make their way in America. By taking jobs that Americans would not, these hearty immigrants supported an enormously profitable global trade and enriched their adopted country.

It’s a powerful historical reminder that this Great Migration of skills that advanced America’s innovation economy over the last 300 years sprang from both the most advantaged and the least advantaged immigrant groups.

Once again we are embroiled in a great debate about immigration. (For two sides of the coin, see Howie Carr’s piece here and David Brooks’ here.) I don’t pretend to know the best policy, nor do I suggest that three centuries of this Great Migration of talent and technology should be the only thing considered in the debate. I just hope, given the impact of this extraordinary gift, that it is at least one of the factors considered by those who might otherwise close our borders.
The Greatest Migration of All The Greatest Migration of All Reviewed by Joseph Landis on May 14, 2013 Rating: 5

The Emancipators: Jackie Robinson, Branch Rickey, and the Politics of 42

April 22, 2013
Chris Beneke

In a famous photograph of baseball star Jackie Robinson and Brooklyn Dodgers General Manager Branch Rickey, the African American legend prepares to sign his 1948 contract. As he does so, the viewer of this staged scene can make out a small photo hung above Rickey’s head at top right. From that modest rectangular frame, a young, beardless Abraham Lincoln gazes upon the scene.*

Three years earlier, Robinson met Rickey under that same gaze and the two men discussed, among many other things, their shared Christian devotion. During this tense  and seemingly interminable meeting that would lead to the end of baseball’s longstanding prohibition on black players, Rickey had Robinson read a line from Giovanni Papini’s Life of Christ: “But whosoever shall smite thee on thy right cheek, turn to him the other also.” Robinson agreed to turn the other cheek and in April 1947, he joined the Dodgers as the first African American major leaguer in more than half a century. 

There’s no getting around the fact that the latest retelling of Robinson’s epic first season, Brian Helgeland’s film 42, succumbs to Hollywood sentimentality. It’s certainly not a great film, arguably not a good film, and definitely not a subtle one. It aims at a high-level of verisimilitude and mostly achieves it, but too often at the expense of dramatic effect and historical significance. The awkward conflation of events (Dodger scout Clyde Sukeforth appears to apparate, Harry Potter-style, into a Missouri gas station where Robinson has just negotiated his way into a segregated bathroom) and a syrupy musical backdrop (including an Olympian trumpet fanfare to accompany one of Robinson’s exultant trots to home plate) will surely disappoint viewers who were lured by the gritty, thumping Jay-Z-scored trailer.
Yet critics like the perpetually outraged Dave Zirin who see here nothing more here than a pious melodrama that idolizes a cigar-chomping, penurious white man (played with gruff, endearing self-righteousness by Harrison Ford) and an overly deferential, assimilating black man (played arrestingly by a stoic Chadwick Boseman), will miss something themselves.

Among other things, they will miss the fact that the script for the enterprise of baseball integration was originally conceived by Rickey and originally dramatized by Robinson. The plan this pair executed was both conspicuously Lincolnian and unapologetically Christian. It required Rickey’s pragmatic liberal management, which proceeded in measured strides, and the transcendent suffering of Robinson, who sacrificed for the larger good of racial redemption. Rickey tempered expectations while moving ahead resolutely, shaping an environment that allowed Robinson enough space to develop as a player without depriving white fans and players of the time they needed to adapt as human beings. Robinson endured uncomplainingly and then succeeded spectacularly in a heroic combination of personal restraint and athletic brilliance.

These unmistakable Lincolnian and Christian themes may elude progressive critics who desperately want to see broad-based social movements in action against institutionalized racism. Eric Foner’s influential critique of Steven Spielberg’s Lincoln—that it ignores the work done “at all levels of society, including the efforts of social movements to change public sentiment and of [African Americans] themselves to acquire freedom”—has already been leveled against 42. It is demonstrably true that baseball integration was the product of larger forces which Rickey capitalized upon. And 42 does elide the political pressures that were mounting in Harlem and Washington D.C., while slighting the work of civil rights activists such as Wendell Smith.**

But 42’s protagonists, Robinson and Rickey, really did matter. The defining historical role they played may be gauged by remembering that Rickey originally considered signing a number of other exceptional African-American ball players, several of whom possessed baseball potential surpassing Robinson’s. But Rickey saw something else in Robinson that exceeded his ability to play baseball, something intimately related to Robinson’s Methodist faith. Helgelend briefly evokes that other thing when he has Ford utter one of the film’s better lines, expressed with Lincolnesque economy and wit: “Robinson’s a Methodist. I’m a Methodist. God’s a Methodist! We can’t go wrong.” A teetotaler who neither smoked nor womanized, with a well-established commitment to racial justice and Christianity, Robinson was precisely the person Rickey wanted for the job. The fact that he had Hall-of-Fame baseball talent also helped. After all, Rickey, the dogged pragmatist, intended to win on the ball diamond as well as in the contemporary moral universe.
Poster from the 1950 Jackie Robinson Story. See full film here.

Robinson repaid Rickey’s faith with humble Christian expressions and herculean acts of self-control. The things Robinson refrained from saying during his witheringly difficult rookie season often made the difference. He would eventually have plenty to say about his experiences and about civil rights, but in these early years he deployed his words carefully, sticking to Rickey’s script and gaining tens of thousands of admirers in the process. After his first, harrowing game in the majors, Robinson told an inquiring reporter that he’d thanked God the night before, adding that he belonged to a Methodist church in Pasadena and had taught Sunday school. “[T]hey gave me the bad little boys,” Robinson recalled, “and I liked it.” Robinson also repaid Rickey’s Lincolnian aspirations by suggesting in his autobiography that while Rickey’s hero, “Mr. Lincoln,” had ended the institution of slavery, that institution had survived into the twentieth century in the form of segregation and discrimination. With Robinson’s entry into major league baseball, the second emancipation commenced.

Like Lincoln in the nineteenth century, Rickey and Robinson drew on untapped reservoirs of decency and inchoate conceptions of fair play among their fellow Americans. They demonstrated, more than a decade before Martin Luther King, Jr., that the perpetrators of injustice in a democracy may be worn down by dignified and well-publicized suffering. 

If 42 neglects the bigger picture, if it privileges a couple of extraordinary individuals at the expense of the collective movements that enabled them to do their work, it also reminds us of the good that morally grounded pragmatists can accomplish.

___________________

* The signing took place on February 12, Lincoln’s birthday. In another staged photo, only Lincoln’s portrait hangs above Rickey, the picture of Rickey’s daughters and manager Leo Durocher having been removed, though you can still see the nail that may have held Durocher’s photo. Rickey, who claimed to have read every biography of Lincoln, was sometimes called the “Second Great Emancipator.” 
 
** Smith, played by Andre Holland has a large supporting role in the film, but we don’t see the behind-the-scenes campaign for desegregation in which he had been engaged for several years. 

The Emancipators: Jackie Robinson, Branch Rickey, and the Politics of 42 The Emancipators: Jackie Robinson, Branch Rickey, and the Politics of 42 Reviewed by Joseph Landis on April 22, 2013 Rating: 5

“If We Must Die,” A Poem We All Should Know

March 12, 2013
Heather Cox Richardson

Claude McKay. Courtesy of the
Beinecke Library, Yale University.
Recently, I found myself telling history students which poems they must know as part of their rock-bottom basic understanding of American history. There is Anne Bradstreet’s “Epitaph for her Mother," exploring what it meant to be a good woman in colonial America; Walt Whitman’s “When Lilacs Last in theDooryard Bloom’d," linking Lincoln’s assassination to the natural world; and Claude McKay’s 1919 “If We Must Die."
  
If we must die—let it not be like hogs
Hunted and penned in an inglorious spot,
While round us bark the mad and hungry dogs,
Making their mock at our accursed lot.
If we must die—oh, let us nobly die,
So that our precious blood may not be shed
In vain; then even the monsters we defy
Shall be constrained to honor us though dead!
O kinsmen! We must meet the common foe!
Though far outnumbered let us show us brave,
And for their thousand blows deal one death-blow!
What though before us lies the open grave?
Like men we’ll face the murderous, cowardly pack,
Pressed to the wall, dying, but fighting back!

McKay penned his famous lines after riots in the summer of 1919 left dozens dead and thousands homeless. In Chicago at the end of July, when a black boy drifted toward a whites-only beach, white youths stoned him to death. Ten bloody days later, 38 people were dead and more than 500 wounded. Riots in Nebraska, Texas, and across the South continued to claim American lives.

“If We Must Die” was a howl of resistance, but it also marked the rise of a new American cultural movement. In the North’s new black ghettos, created as African Americans left the South to work in the industries that fed World War I, culture thrived. Jazz musicians like Jelly Roll Morton and Duke Ellington experimented with new rhythms and keys; writers like Jean Toomer and Zora Neale Hurston celebrated the black experience as a human experience, rejecting old stereotypes to make fictional black characters realistic.

McKay’s poem is a work of art that reflects both an era and a revolution. It belongs in everyone’s lexicon.
“If We Must Die,” A Poem We All Should Know “If We Must Die,” A Poem We All Should Know Reviewed by Joseph Landis on March 12, 2013 Rating: 5
ads 728x90 B
Powered by Blogger.