Results for Atlantic World

Live-Tweeting #AHA2014

January 08, 2014
Craig Gallagher

In anticipation of going to my first American Historical Association conference this past weekend in Washington D.C., I sought out a range of senior colleagues who had attended past AHA meetings for advice on what to expect. As a third-year Ph.D. candidate who is about to start writing a dissertation, I was regularly advised that many aspects of the AHA meeting did not yet apply to me, such as the Job Center, where interviews for academic positions are conducted, or the Book Exhibit where publishers meet with scholars and teachers to discuss manuscripts or books for use in the classroom.

My first AHA, therefore, was largely confined to the scholarly panels (and, I should add as a brief aside, various receptions, where I shamelessly handed out business cards and tried to score five minutes of chat with some of my favorite scholars. I was mostly successful). I attended six different panels over the four days, enjoying some immensely and others not-so-much. On the whole, I was impressed with the range of questions posed by various luminaries in my field, and – especially in the Atlantic History panels I was most interested in – the sweeping state-of-the-field discussions most papers engendered.

But it turned out that physically attending those panels and listening to the presenters was only scratching the surface of what was offered by this year’s AHA. I made an early decision this year to live-tweet the panels I was attending so that scholars who couldn’t attend the conference could get a sense, at least, of what issues were being raised. For this purpose, as the AHA themselves recommended, I tweeted with the hashtag #AHA2014 (which remains searchable).

But as I sat there with my laptop, oftentimes the only person in the room not using pen and paper,  frantically summarizing points raised via the game-changing medium of Tweetdeck (if you’re not acquainted with it, become so), I discovered that I was also attending almost every other panel that was happening concurrent to the one I was listening to.

Where I had intended to provide a flavor of the conference proceedings for scholars unable to attend, I quickly found myself in dialogue with interested scholars actually present in D.C. but at another panel or professional development workshop (or even waiting for a job interview to start). Although they were mainly reading my shorthand summaries of points raised (far more eloquently) by the presenters I was listening to, they nonetheless sent me pertinent questions, comments or asked for clarifications which I did my best to provide.

Indeed, it seemed as though every panel or workshop across the AHA program had a dedicated tweeter, whether on classical Rome or modern China, and especially the various digital history (#dhist) workshops run this year by many younger scholars. This was all fitting as part of the AHA meeting featuring the inaugural Reception for History Bloggers and Twitterstorians, which was well attended and stimulated very lively discussions.

Could live-tweeting panels be the answer to the long-suffering conference-goer’s gripe about too many similar panels scheduled at the same time? I’d offer a cautious yes, as long as the tweeter is willing to be the only person in the room typing away furiously and is prepared to spend the intervening time between panels desperately searching for an outlet to charge their laptop or phone!

But at the very least, it suggests that history conferences like the AHA in future are likely to take place in two separate but intimately related spaces: the real world of Washington D.C. on the verge a major snowstorm, and the ethereal, abbreviated, but undeniably lively world of the Twittersphere.

Craig Gallagher is a Ph.D. Candidate at Boston College, who is writing a dissertation about religion, trade and empire in the early modern British Atlantic world. He tweets at @Gallacticos87
Live-Tweeting #AHA2014 Live-Tweeting #AHA2014 Reviewed by Joseph Landis on January 08, 2014 Rating: 5

CFP: “Soundscapes: Music from the African Atlantic, 1600-present,” March 7-9, 2014

August 15, 2013

The Carolina Lowcountry and Atlantic World Program (CLAW) at the College of Charleston in Charleston, South Carolina invites paper proposals addressing the transnational and transcultural impacts of music throughout the Atlantic World for a conference to be held
March 7-9, 2014.  We are especially interested in twentieth and twenty-first century music and cultural exchange, but the conference is open to any work that examines the movement of music in the Atlantic World from the 1600s to the present. We welcome a broad range of submissions, but especially encourage submissions that utilize an interdisciplinary approach.  Proposals may address any area of music in the Atlantic World. We invite scholars to submit proposals for individual papers and panels that address such questions as:

* Tradition and modernity in popular and indigenous music in Latin America, the Caribbean and West Africa
* Music, Race, and Empire
* Jazz in a global context
* Trans-Caribbean identities in Salsa, Reggae, and Calypso music
* Pan-African Rhythms
* Caribbean beats and protest music in the 1970s
* The British Invasion and Rhythm and Blues in the United Kingdom
* Hip Hop and political activism in Africa and the Caribbean
* Race and Beach Music on the American Atlantic Coast
* Musical culture and diaspora studies


Proposals Due:  Friday, December 6, 2013

All Presenters will be notified if their paper or panel has been accepted by December 22, 2013.  Presenters and participants are expected to register for the conference by February 7th, 2014.  Registration will open in October 2013.

As with previous successful CLAW program events the conference will be run in a seminar style: accepted participants will be expected to send completed papers to the organizers in advance of the conference itself (by February 28th, 2014) for circulation via password-protected site. At the conference itself presenters will talk for no more than ten minutes about their paper, working on the assumption that everyone has read the paper itself. This arrangement means that papers may be considerably lengthier and more carefully argued than the typical 20-minute presentation; and it leads to more substantive, better-informed discussion. It also generally allows us to move quite smoothly toward publication of a selection of essays with the University of South Carolina Press.

Proposals for individual papers should be 200 words, and should be accompanied by a brief one-page biographical statement indicating institutional affiliation, research interests, and relevant publishing record for each participant, including chairs and commentators. Please place the panel proposal, and its accompanying paper proposals and vitas in one file. Please submit your proposal electronically with CLAW conference in the subject line to the conference chair, Dr. John White at WhiteJ@cofc.edu by December 6, 2013.

If you wish to send a proposal for a 3 or 4 person panel, please send a 300 to 500 word proposal describing the panel as a whole as well as proposals for each of the individual papers, along with biographical statements for each of the presenters. The organizers reserve the right to accept individual papers from panel proposals, to break up panels, and to add papers to panels. Notification of acceptance will be sent by December 22nd, 2013.
CFP: “Soundscapes: Music from the African Atlantic, 1600-present,” March 7-9, 2014 CFP: “Soundscapes: Music from the African Atlantic, 1600-present,” March 7-9, 2014 Reviewed by Joseph Landis on August 15, 2013 Rating: 5
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