Results for America and the World

Henry Steele Commager on America during the Cold War

August 29, 2013
Randall Stephens

The November 24, 1954 episode of Longines Chronoscope featured Henry Steele Commager (video embedded here).  That was not unusual for
the news and views program, which regularly featured heads of state, intellectuals, novelists, and other notables.  But the subject of the discussion is particularly interesting all these years later.  Maybe that's especially poignant because Commager was one of America's foremost historians at that time. Here he weighs in on American identity, the pressures of conformity, the post-war economic boom, and freedom of expression.  

This was filmed in the wake of the Korean War, the hydrogen bomb test on Bikini Atoll, and not long after the historic Brown vs. Topeka Supreme Court decision.  Red Scare paranoia remained strong. The coming month of December would see the US Senate reprimand Joseph McCarthy, by a vote of 67–22, for "conduct that tends to bring the Senate into dishonor and disrepute."

Here are some of the questions posed to Commager by hosts Larry LeSueur (CBS News correspondent) and August Heckscher (chief editorial writer for the New York Herald-Tribune):

LeSueur: So, professor Commager, we'd like to ask you: Do you think that this country when it was smaller and less powerful, but when we had less responsibilities, do you think we were happier then than we are now?

LeSueur: Professor Commager, do you feel that our freedoms such as speech are more circumscribed now than they have been in the past?

LeSueur: Surely professor Commager there's less conformity now than in the days of the Puritans?

Heckscher: Would you say that . . . we exaggerate our standard of living in comparison to the standard of living of foreign countries, for example?

LeSueur: Do you think our country is more or less unified in some areas, on foreign policy for example, now than it has been in the past during some of our crises?

How are historians reflecting on the pressing issues of our day?  What will the opinions of contemporary historians look like more than 50 years from now?
Henry Steele Commager on America during the Cold War Henry Steele Commager on America during the Cold War Reviewed by Joseph Landis on August 29, 2013 Rating: 5

The Eve of Reformation?

August 18, 2013
Steven Cromack

What was life like for those living during the time of Martin Luther? Is Western Civilization on the eve of another Reformation? Modern society certainly indicates, at the very least, that people are speaking up and speaking out.

In the United Kingdom a rapidly increasing number of people are flocking to the “emerging churches.” Led by people like Peter Rollins (How [Not] to Speak of God) and other renegade pastors, these “churches” meet in bars, at skate parks, and other profane places. The theology of the emerging church takes a postmodern approach to Christianity and conceives that institutional churches have lost the true meaning of the Christian faith because people are too focused on following prescribed, meaningless rituals. Instead, emerging Christians sit together and read the Gospels and talk about Jesus the Christ.

Across the Atlantic in the United States, scholars, theologians, journalists, and ordinary people are launching their own assault on mainstream Christian practices. In his 2011 controversial book Love Wins Rob Bell indicts “traditional” Christianity on the charge of using the concept of Hell as a means of social control. Accept Jesus, or you go to Hell. Complete this Christian checklist, or you go to Hell. Go to church, or burn in Hell. This notion, Bell argues, runs counter to the crux of Christianity, which is that love wins because God’s love is infinitely more expansive than the box in which we place it, along with Heaven, Hell, and our own narrow conception of God. Bell goes even further to say that Hell will be empty because God’s grace extends into Hell itself.

Theologians from many of the divinity schools have entered the fray. In her book Almost Christian Kenda Creasy Dean, a theologian at Princeton Theological Seminary, argues that teenagers practice a “mutant form” of faith called “Moralistic Therapeutic Deism,” and that conventional American churches and their members are responsible for its cultivation. “After two and a half centuries of shacking up with ‘the American Dream,’” Dean writes, “churches have perfected a dicey codependence between consumer-driven therapeutic individualism and religious pragmatism. These theological proxies gnaw, termite-like, at our identity as the Body of Christ, eroding our ability to recognize that Jesus’ life of self-giving love directly challenges the American gospel of self-fulfillment and self-actualization.”

Andrew Sullivan published an article in Newsweek entitled “Christianity in Crisis.” In it he argues that Christianity has been destroyed by modern culture and the American Dream. He urges Christians to embrace Jesus, not American, get-rich evangelism. People’s priorities have become mixed up, Sullivan asserts: fundamentalist Christians support the torture of terror suspects and oppose homosexuality and abortion despite the fact that Jesus said nothing about these matters.

In 2012, Ross Douthat came out with Bad Religion: How We Became a Nation of Heretics, in which he writes that “America’s problem isn’t too much religion, or too little of it. It’s bad religion: the slow-motion collapse of traditional Christianity and the rise of a variety of destructive pseudo-Christianities in its place.” Indeed, Joel Osteen, the mega-church pastor who insists that God wants you to be happy, healthy, and rich has published a new book awkwardly entitled Everyday a Friday.
 
In many ways, religion has become a dirty word. People now take “religion” to mean organized Christian churches--along with their scandals, hypocrisy, and backward and fading traditions.  In 1999 a Gallup survey asked Americans “Do you consider yourself spiritual or religious?” 54% responded that they were “religious but not spiritual.” By 2009 only 9% of Americans affirmed such a statement.

Is Western Civilization overdue for another reformation? 
The Eve of Reformation? The Eve of Reformation? Reviewed by Joseph Landis on August 18, 2013 Rating: 5

The Greatest Migration of All

May 14, 2013
Eric B. Schultz

Ask an American historian to define the Great Migration and you’ll hear one of several answers.  Most will describe the movement of 6 million African Americans from the rural South who headed north and west, from
A Jack Delano photo of migrants
heading north from Florida, 1940.
World War I through 1970, seeking economic opportunity and relief from Jim Crow laws. This is the story so beautifully told in Isabel Wilkerson’s Pulitzer Prize-winning book, The Warmth of Other Suns.

There’s another group of historians who might describe the Great Migration as the 20,000 English men, women, and children who crossed the Atlantic between 1620 and 1640, seeking opportunity and relief in New England. These are the Mayflower names, the families that delight and provide such rich insights for genealogists.  Since 1988 the New England Historic Genealogical Society has sponsored the Great Migration Study Project, scheduled for completion in 2016.

In his monumental What Hath God Wrought: The Transformation of America, 1815-1848 Daniel Walker Howe describes “one of the greatest migrations in America,” when Andrew Jackson encouraged white squatters from the Carolinas, Georgia, and Tennessee to move onto 14 million acres expropriated from the Creeks. By 1819 this flood of humanity had established Mississippi and Alabama. “The Alabama fever rages here with great violence,” one North Carolina farmer moaned, “and has carried off vast numbers of our citizens.” Never, Howe remarks, had so large a territory been settled so rapidly—though the peopling of the Old Northwest Territory was not far behind.

Still, there has been another kind of Great Migration in America, less dramatic, but in some ways the steadiest and perhaps most influential. It also has great bearing upon one of today’s hottest political issues, immigration policy, and helps explain why Silicon Valley is so vested in the bill currently making its way through Congress.

"The Puritan Migration to America, 1620-1640."
From Bedford/St. Martin's MapCentral.
Brooke Hindle (1918-2001) was the historian emeritus at the Smithsonian’s National Museum of American History when he, along with (current) Brown University’s Steven Lubar, authored Engines of Change: The American Industrial Revolution 1790-1860. It’s a beautiful book that emphasizes the material aspects of innovation (later reinforced in Hindle’s excellent Emulation and Innovation). It also answers in a very simple way a very profound question: How did a nation of farmers stage their own Industrial Revolution and by 1851 stun the world with their technological prowess at London’s Crystal Palace Exhibition?

One answer, of course, is theft and industrial espionage. If good ideas can be stolen and copied, from Samuel Slater’s work in duplicating an Arkwright-type spinning factory at Pawtucket, to Francis Cabot Lowell’s study of English power looms, then revolution is possible. Indeed, even Eli Whitney—who all good Americans know invented the cotton gin—relied upon a millennium of global cotton gin technology (and not very well, Angela Lakwete’s Inventing the Cotton Gin tells us). One wonders if the talk in 19th-century Parliament about Americans wasn’t roughly akin to that of today’s U.S government and its recent indictment of China’s military for stealing industrial technology.

A second answer is that Jefferson’s virtuous farmer also just happened to be conversant with machines of all kinds; a healthy farm required that cams, ratchets, escapements, pistons, and even (or especially!) whiskey stills be in good working order. Lubar and Hindle quote one New Jersey farmer-tavern keeper, who told an astounded visitor not long after the Revolution, “I am a mover, a shoemaker, furrier, wheelwright, farmer, gardener, and when it can’t be helped, a soldier. I make my bread, brew my beer, kill my pigs; I grind my axes and knives; I built those stalls and that shed there; I am barber, leech, and doctor.” 

Finally—and here’s the Great Migration aspect—America (with a few notable decades excepted) has long been a welcome destination for skilled artisans. Dutch and Polish glassworkers, Italian silk reelers, and German sawyers arrived in Jamestown, the authors tell us, at the invitation of the Virginia Company. England, itself a destination for German miners, Flemish weavers, and French glassworkers and horologists, in turn transferred those technologies to America as skilled artisans crossed the Atlantic.

As early as 1754, Bethlehem, Pennsylvania, had a pumped and piped water supply courtesy of Moravian Germans. The famous Pennsylvania rifle and Conestoga wagon evolved from German prototypes. The sawmill, so important to America’s growth, was brought by artisans from Hamburg. England passed along navigational and mathematical instruments, clockmaking, gunnery, and coal-fuel industries. In the 1830s and 1840s when the steam engine pushed the geographic center of industry from New England to Pennsylvania, it was English, Scottish, Welsh, and Cornish miners and ironworkers who brought their skills to bear. “The leading cities—Philadelphia, Boston, and New York—received a continuing stream of artisans,” Hindle and Lubar write, “most of them from London, quickly making available the skills and newer developments of the British metropolis.”
Occupational portrait of a skilled worker,
ca. 1850. Courtesy of the Library of Congress.

There seems more than a casual relationship between the fact that, from 1824 to 1831, more than 1,000 Englishmen classifying themselves as “machinists” immigrated to the United States, and by 1860 American machinists were among the best in the world.

Like a modern CEO warning his engineers that they will surely fail if they adopt a “not invented here” mentality, George Washington told his countryman in his first address to Congress that “the introduction of new and useful inventions from abroad” could be as valuable as those created by the “skill and genius” of Americans. Those kinds of “foreign entanglements” were ones that the Commander in Chief appeared to welcome.

While Hindle and Lubar focus on cutting edge technology, we also know that sometimes the sort of “artisan talent” that migrated to America came in the form of incredible persistence and sheer ambition. In The Maritime History of Massachusetts, Samuel Eliot Morison tells us that conditions on whaling vessels became so abysmal that American citizens refused to serve; this left opportunity for “Kanakas, Tongatabooras, Filipinos, and even Fiji cannibals like Melville’s hero Queequeg” to make their way in America. By taking jobs that Americans would not, these hearty immigrants supported an enormously profitable global trade and enriched their adopted country.

It’s a powerful historical reminder that this Great Migration of skills that advanced America’s innovation economy over the last 300 years sprang from both the most advantaged and the least advantaged immigrant groups.

Once again we are embroiled in a great debate about immigration. (For two sides of the coin, see Howie Carr’s piece here and David Brooks’ here.) I don’t pretend to know the best policy, nor do I suggest that three centuries of this Great Migration of talent and technology should be the only thing considered in the debate. I just hope, given the impact of this extraordinary gift, that it is at least one of the factors considered by those who might otherwise close our borders.
The Greatest Migration of All The Greatest Migration of All Reviewed by Joseph Landis on May 14, 2013 Rating: 5

The Role of Money and Timing in Culture: The CIA and Abstract Expressionism

April 30, 2013
Heather Cox Richardson

I have heard talk of the exportation of modern American art during the Cold War as a means of proselytizing, but I’d never considered the mechanics of that propaganda. It seemed to me a wing of art theory, and while that’s a subject that always entertains me, it’s something for which I have very little brain space during the school year.
From Life magazine, August 8, 1949.

A recent article by Frances Stonor Saunders in The Independent explains exactly how the CIA promoted American abstract expressionism worldwide in the 1950s and 1960s. Their goal was to highlight the openness and experimentation possible in America’s capitalist system, contrasting it with the rigid conformity of state-censored socialist realism (some of which, to my Philistinic eye, seems worth looking at even if Soviet state officials thought so, too.) At first, the CIA tried to promote work by Jackson Pollock, Robert Motherwell, Willem de Kooning, and Mark Rothko at home. Quickly, though, abstract expressionism ran into the conformism of the 1950s. Even President Truman announced: “If that’s art, then I’m a Hottentot.”

So CIA operatives set up the Congress for Cultural Freedom, which salted art magazines praising abstract expressionism and sponsored exhibitions that toured European cities. They worked closely with Nelson Rockefeller, president of New York’s Museum of Modern Art (which his mother had founded), to showcase “free enterprise painting.” When museums eager to show the new art could not afford the cost of exhibitions, the CIA tapped American millionaires as ostensible sponsors, then provided the necessary money from government coffers. After World War II, abstract expressionism became the symbol of modern America.

This story opens many fascinating avenues for historical exploration. It also touches on a subject dear to my heart and the hearts of intellectual historians everywhere: the relationship between art and money. Today we recognize abstract expressionism as one of the great cultural developments in history. And yet, the CIA stepped in to underwrite it after one congressman called it “trash.” Would Motherwell and Pollock—both of whose works I find mesmerizing—have become Motherwelland Pollock without a propaganda campaign on their behalf? Would they have had to quit experimenting and start painting advertisements instead? What might have taken over the cultural future in that case?

How much is cultural significance dependent on being in the right place at the right time? Everyone knows that Renaissance masters had patrons, but how much have things changed? Patti Smith’s Just Kids suggests that Robert Mapplethorpe’s fame was underwritten by his wealthy mentor and partner. The Timoney Group has mapped forty years of Bruce Springsteen’s tours and made the case that his access to huge audiences in New Jersey and New York determined his meteoric rise. Would Mapplethorpe have become Mapplethorpe if he had not attracted a rich patron? Would Bruce Springsteen have been The Boss if he had grown up in Nebraska?

It seems to me that the question of cultural significance and money remains a crucial one for study.
The Role of Money and Timing in Culture: The CIA and Abstract Expressionism The Role of Money and Timing in Culture: The CIA and Abstract Expressionism Reviewed by Joseph Landis on April 30, 2013 Rating: 5

Globalizing the Nineteenth Century

April 14, 2013
Joseph L. Yannielli

This is cross-posted from the blog Digital Histories at Yale.

Nineteenth-century Americans viewed themselves through an international lens. Among the most important artifacts of this global consciousness is William Channing Woodbridge’s “Moral and Political Chart of the Inhabited World.” First published in 1821 and reproduced in various shapes and sizes in the decades prior to the Civil War, Woodbridge’s chart was a central and popular component of classroom instruction. I use it in my research and teaching. It forms a key part of my argument about the abolitionist encounter with Africa. And every time I look at it, I see something new or unexpected.
Chart of the Inhabited World:
Exhibiting the Prevailing
Religion, Form Of Government, 1821

Like basketball and jazz, the moral chart is an innovation unique to the United States. The earliest iterations depart from the Eurocentric and Atlantic focus with which modern readers are most familiar. Reflecting the early American obsession with westward expansion, they gaze out over the Pacific Ocean to East Asia and the Polynesian Islands. The chart features a plethora of statistical and critical data. Nations and territories are ranked according to their “Degrees of Civilisation,” form of government, and religion. Darker colored regions are “savage” or “barbarous” while rays of bright light pour out from the Eastern United States and Northern Europe.

Thematic mapping of this sort was nothing radically new. John Wyld’s “Chart of the World Shewing the Religion, Population and Civilization of Each Country,” published in London in 1815, graded national groups on a progressive scale, from I to V. Wyld gave himself a V and the United States a I, II, and IV. Woodbridge may have been inspired by this example, but he also took it to a new level. Drawing on the climatological charts developed by German explorer Alexander von Humboldt, he used complex shading and mathematical coordinates to give an air of scientific precision. And he placed the United States on a civilized par with Europe. With its sophisticated detail and colorful imagery, it is easy to see why Woodbridge’s image became a runaway success. It is deeply disturbing to compare it to recent NASA maps of the global electrical grid.

Countless men and women stared at similar maps and reports from foreign lands and dreamed and imagined and schemed about their futures. Some experienced dramatic revelations. Visiting friends in 1837, itinerant minister Zilpha Elaw heard the voice of God: “I have a message for her to go with upon the high seas and she will go.” Others were simply bored. Prior to his arrival in Monrovia that same year, medical student David Francis Bacon daydreamed about Africa, “torrid, pestilential, savage, mysterious.” George Thompson, a prisoner in Missouri in the 1840s, read articles from the Union Missionary aloud to his fellow inmates. “We quickly pass from Mendi to Guinea, Gaboon, Natal, Ceylon, Bombay, Madura, Siam, China, Palestine, Turkey, The Islands, the Rocky Mountains, Red Lake,” he wrote in his journal, “from tribe to tribe – from nation to nation – from continent to continent, and round the world we go.”

Woodbridge’s chart and others like it inspired a slew of “moral maps” illustrated by antislavery activists, in which the slave states were usually colored the darkest black. One of the most explicit, published by British ophthalmologist John Bishop Estlin, used blood red to symbolize the “blighting influence” of the South oozing out into the the rest of the country. An 1848 broadside showed slavery poised to swallow the entire hemisphere, from Cuba to Central America to the Pacific Rim. Another used a black arrow to trace the “curse of slavery” from Virginia to war, treason, murder, and hell (which is located in Texas). The most famous of the Woodbridge descendants were the elaborate “free soil” charts and diagrams used in electoral campaigns. Crammed with statistics correlating slaveholding with illiteracy and political tyranny, these charts became crucial organizing tools both before and during the Civil War.

The most unusual map I unearthed in the course of my research reversed the logic of the typical moral chart by shining a bright light on the African continent. Published by the American Anti-Slavery Society in 1842 and reprinted many times thereafter, this map reveals the movement’s Afrocentric global vision. Europe and North America recede into darkness as Africa takes center
From The Rights of Man (1843)
stage. The United States, flanked by the term SLAVERY, is almost falling off the map at the edge of the world. Most editions coupled this image with a moral map of the U.S. South, which colored the slaveholding states, and even the waterways surrounding them, as darkly savage, the lowest of the low on the Woodbridge scale. The juxtaposition of these two images significantly complicates historians’ assumptions about Africa as “the dark continent.” Although we now know that the human race, language, culture, and civilization all began in Africa, such views were not uncommon in the middle decades of the nineteenth century. Contemporary ideas about African cultures were complex and often mixed condescension with respect. Most surprising of all, I know of no historian who has given sustained attention to this map. With the exception of outstanding books by Martin Brückner and Susan Schulten, I know of few historians who have engaged the legacies of William Woodbridge’s various moral charts.

The past five or ten years have witnessed an explosion of scholarship on the global dimensions of American history and the birth of a new field, sometimes referred to as “The United States in the World.” Nineteenth-century history is very much a part of this trend, but progress has been slow and uneven. The nineteenth century was America’s nationalist century, with the Civil War serving as its fulcrum in both classrooms and books. Perhaps understandably, there is a tendency to look inward during times of national crisis. Yet as I and others have argued, nationalism – and racism, and sexism, and classism, and other related isms – are a fundamentally international process. Woodbridge’s Moral and Political Chart is the perfect example. Simultaneously nationalist and international, it depicts the United States embedded in a world of turmoil and change. Two recent conferences in South Carolina and Germany are evidence of a rising momentum that seeks to re-situate the U.S. Civil War era as part of a much broader global conflict. But a great deal of work remains to be done.

To get a sense of where the field is heading, its strengths as well as its weaknesses, it is necessary to map the terrain. To my knowledge, no one has attempted an organized and comprehensive database of the rapidly growing literature on the international dimensions of nineteenth-century American history. So, not too long ago, I launched a Zotero library to see what could be done. Based on the bibliography for my dissertation, it is decidedly biased and impressionistic. Aside from brilliant entries by Gerald Horne and Robert Rosenstone, the Pacific World and Asia are underrepresented. The same could be said for Mexico and the rest of Latin America. Since the nineteenth-century, like all historical periods, is essentially an ideological construction, I have been flexible with the dates. I think anything from the early national period (circa 1783) through the entry into World War I (circa 1917) should be fair game. Although he is not chiefly concerned with the United States, this roughly corresponds to the limits set a decade ago by C. A. Bayly. I also subdivided the material based on publication medium (book, chapter, article, dissertation, etc.). This system can and probably should be refined in the future to allow sorting by geographic focus and time frame.

Zotero is admired by researchers and teachers alike. Over the past seven years, it has evolved a robust set of features, including the ability to collaborate on group projects. The Zotpress plugin, which generates custom citations for blog posts, is another really neat feature. As a content management system, it still has its flaws. The web interface can be sluggish for lower bandwidth users, and compared to Drupal or Omeka, the member roles and permissions are downright archaic. If an admin wants a user to be able to create content but not edit or delete other users’ content, for example, there is no real solution. Admins are able to close membership, so that users must request an invitation to join the group. This allows tight control over the content community. But it arguably kills a good deal of the spontaneity and anonymity that energizes the most successful crowdsourcing experiments. At the same time, the Zotero API and its various branches are fully open source and customizable, so I really can’t complain.

The biggest problem is the randomness of the semantic web. Primarily a browser plugin, Zotero allows users to surf to a site, book, or journal article and add that item to their bibliography with a single click. Sites do not always have the best metadata, however, so manual fixes are usually required. Several of the books I added from Google Books had an incorrect publication date. Others had very little or no descriptive data at all. Without delving into complicated debates about GRDDL or Dublin Core, I will just say that a catalog is only as good as its metadata. None of this has anything to do with Zotero, of course, which still gives the 3×5 index card a run for its money.

Although I admit I am not a heavy user, Zotero struck me as the ideal platform for an historiographical potluck. My Nineteenth-Century U.S. History in International Perspective group is now live. Anyone can view the library, and anyone who signs on as a member can add and edit information (I just ask that members not delete others’ content or make major changes without consulting the group). As of right now, I have not added any substantive notes to the source material. But it might be neat to do this and compile the database as an annotated bibliography. I will try to update the library as I’m able. At the very least, it will be an interesting experiment. A large part of the battle for history is just knowing what material is out there.
Globalizing the Nineteenth Century Globalizing the Nineteenth Century Reviewed by Joseph Landis on April 14, 2013 Rating: 5

The Long Career of Immigration Control in America

April 01, 2013
Hidetaka Hirota

A detail of Carol M. Highsmith's aerial view of the Ellis
Island immigration station. Courtesy of the
Library of Congress, Prints and Photographs Div.
The recent publication of books on Ellis Island in New York and Angel Island in California—Vincent J. Cannato, American Passage: The History of Ellis Island (HarperCollins, 2009); Erika Lee and Judy Yung, Angel Island: Immigrant Gateway to America (Oxford University Press, 2010)—reminds us of aspects of the American immigration experience that cannot be overlooked.

At these landing stations immigrants were inspected and often detained under the provisions of federal immigration law. Those of undesirable character, such as paupers, people “likely to become a public charge,” and “feeble-minded persons,” were denied landing and ordered to return to their countries of origin. To Chinese immigrants, a separate set of exclusion and deportation laws applied between 1882 and 1943. 

Where did these federal restriction laws come from? While episodes of immigration control at the federally run landing stations might sound familiar to people interested in United States history, immigration policy before Ellis Island and Angel Island is not so well known, even to American historians.

Some of the roots of American immigration control can be traced back to earlier immigration laws in seaboard states. Since the 18th century, coastal states adopted policies for preventing the landing of destitute passengers and foreign paupers. While New York and Massachusetts were most successful in institutionalizing immigrant exclusion (denial of admission), the Bay State went further by implementing policies for deporting immigrant paupers already in the state. These state policies laid the foundations for federal immigration law that developed from the late 19th century onward.

As important as the succession of law from state to federal levels was how state officials enforced immigration control. In Massachusetts, for example, officials made little distinction between noncitizens and naturalized citizens in deporting Irish immigrant paupers. Immigrants were also deported without necessary court warrants, thus illegally. In criticizing the manner of removal in the state, a Boston newspaper declared in 1855 that humans were being sent from Massachusetts to the other side of the Atlantic with less formality and documentation than “the sending of a tub of butter, or a barrel of apples, from Fitchburg to Boston.”

The deportation of citizens, the coercive treatment of undesirable foreigners, and the inhumanity associated with removal proceedings all characterized the implementation of later federal immigration law, especially when it came to Asians and Mexicans.

Hidetaka Hirota is a postdoctoral fellow at Boston College. He is the author of “The Moment of Transition: State Officials, the Federal Government, and the Formation of American Immigration Policy,” Journal of American History 99 (March 2013), winner of the 2012 Organization of American Historians Louis Pelzer Memorial Award.
The Long Career of Immigration Control in America The Long Career of Immigration Control in America Reviewed by Joseph Landis on April 01, 2013 Rating: 5
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